References

Film Festivals:

Organizations:

Global Cinemas:

Bibliography:

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  • Alexandra Juhasz and Jesse Lerner. (eds.).  F Is for Phony: Fake Documentary and Truth’s Undoing. Visible EvidenceVolume 17. University of Minnesota Press, 2006.
  • Anderst, Leah. ‘The Self as Evidence and Collaborative Identity in Contemporary Autobiographical Documentary.’a/b: Auto/Biography Studies  Vol. 32 , Issue. 2, 2017.
  • Anishchenkova, Valerie. Autobiographical Identities in Contemporary Arab Culture. Edinburgh University Press, 2014.
  • Atakav, Eylem. Women and Turkish Cinema: Gender Politics, Cultural Identity and Representation. Routledge, 2013.
  • Avgitidou, Angeliki. ‘Performances of the Self’. Digital Creativity, 14:3, 131-138. 2003.
  • Baksh, Rawwida, and Harcourt, Wendy. (eds). The Oxford Handbook on Transitional Feminist Movements. Oxford University Press, 2015.
  • Ballesteros, Isolina. Immigration Cinema in the New Europe. Intellect Limited, University of Chicago Press, 2015.
  • Barriales-Bouche, Sandra and Marjorie Attignol Salvodon (eds). Zoom In, Zoom Out: Crossing Borders in Contemporary European Cinema. Cambridge Scholars, 2009.
  • Bayraktar, Nilgun. Mobility and Migration in Film and Moving Image Art: Cinema Beyond Europe. Routledge, 2015.
  • Beattie, Keith. Documentary Screens: Non-Fiction Film and Television. Palgrave, 2004.
  • Berghahn, D., and Sternberg, C. (eds). European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe. Palgrave Macmillan, 2010.
  • Berghahn, Daniela, and Sterberg, Claudia. (eds). European Cinema in Motion: Migrant and Diasporic Film in Contemporary Europe, Palgrave, 2010.
  • Borum Chattoo, Caty. Story Movements: How Documentaries Empower People and Inspire Social Change. Oxford University Press, 2020.
  • Brink, Joram Ten, and Oppenheimer, Joshua. (eds). Documentary Film, Memory, and the Performance of Violence.Wallflower Press, 2013.
  • Chandra Mohanty, Ann Russo, and Lourdes Torres (eds). Third World Women and the Politics of Feminism. Indiana University Press, 1991.
  • Chaudhury, Shohini. Feminist Film Theorists. Routledge, 2006.
  • Crozier, W. Ray and Greenhalgh, Paul: ‘Self–Portraits as Presentations of Self’. Leonardo, Vol. 21, No.1. (1988), pp. 29-33. MIT Press.
  • Curtis, Robin, and Fenner, Angelica. The Autobiographical Turn in Germanophone Documentary and Experimental Film. Camden House Publishers, 2014.
  • Decherney, Peter, and Atwood, Blake. (eds). Iranian Cinema in a Global Context: Policy, Politics, and Form.Routledge, 2015.
  • Demos, T. J. The Migrant Image: The Art and Politics of Documentary During Global Crisis. Duke University Press, 2013.
  • Elm, Michael, Kabalek, Kobi, and Köhne, Julia B. (eds). The Horrors of Trauma in Cinema: Violence Void Visualization.Cambridge Scholars Publishing, 2014.
  • Everett, Wendy. ‘Through the I of the Camera: Women and Autobiography in Contemporary European Film.’  Studies in European Cinema, 4:2, 125-136. Routledge, 2007.
  • Gott, Michael. French-Language Road Cinema: Borders, Diasporas, Migration and “New Europe”. Edinburgh University Press, 2016.
  • Grassilli, Mariagiulia. ‘Migrant Cinema: Transnational and Guerrilla Practices of Film Production and Representation.’ Journal of Ethnic and Migration Studies, 34:8, 1237-1255. 2008.
  • Heehs, Peter. Writing the Self: Diaries, Memoirs, and the History of the Self. Bloomsbury Academic, 2013.
  • Imran, Rahat.  Activist Documentary Film in Pakistan: The Emergence of a Cinema of Accountability. Media, Culture, and Social Change in Asia Series, Routledge, 2016.
  • Imran, Rahat. ‘Deconstructing Islamization in Pakistan: Sabiha Sumar Wages Feminist Cinematic Jihad through a Documentary Lens.’ Journal of International Women’s Studies, USAVol. 9, # 3, 2008, 117-154.
  • Kaplan, E. Ann., and Wang, Ban (eds). Trauma and Cinema: Cross-Cultural Explorations. Hong Kong University Press, 2004.
  • Lane, Jim. ‘Finding Christa: In Search of Our Fathers: Black Autobiographical Documentary.’ Jump Cut. No 40, March 1996. pp 38-46.
  • Lane, Jim. The Autobiographical Documentary in America. University of Wisconsin Press, 2002.
  • Lang, Robert. New Tunisian Cinema: Allegories of Resistance. Columbia University Press, 2014.
  • Lebow, Alisa. (ed). The Cinema of Me: The Self and Subjectivity in First Person Documentary. Wallflower Press, 2012.
  • Levasseur, Audrey. ‘Film and Video Self-Biographies.’ The Biopic. (Winter 2000). Vol. 23, No 1. University of Hawaii Press. pp. 176-192.
  • Levitin, Jacqueline, Plessis, Judith, Raoul, Valerie (eds). Women Filmmakers: Refocussing. Routledge, 2003.
  • Loshitzky, Yosefa. Screening Strangers: Migration and Diaspora in Contemporary European Cinema. Indiana University Press, 2010.
  • Malone, Alicia. The Female Gaze: Essential Movies Made by Women. Mango, 2018.
  • Marti, Michael T., and Yaquinto, Marilyn. ‘Black Framing Diaspora in Diasporic Cinema: Concepts and Thematic Concerns.’ Camera. Volume 22, No. 1, 2007. Pgs. 22-24.
  • Maurice, Alice. The Cinema and Its Shadow: Race and Technology in Early Cinema. University of Minnesota Press, 2013.
  • Meek, Michele. Independent Female Filmmakers: A Chronicle through Interviews, Profiles, and Manifestos. Routledge, 2019.
  • Merivirta, Raita, et al., (eds). Frontiers of Screen History: Imagining European Borders in Cinema, 1945–2010. Intellect, 2013.
  • Paletschek, Sylvia, and Schwartz, Sylvia. (eds).The Gender of Memory: Cultures of Remembrance in Nineteenth- and Twentieth-Century Europe. Campus Verlag, 2008. 
  • Rabinowitz, Paula. They Must Be Represented: The Politics of Documentary. Verso, 1994.
  • Rascaroli, Laura. How the Essay Film Thinks. Oxford University Press, 2017.
  • Rascaroli, Laura. The Personal Camera: Subjective Cinema and the Essay Film. Wallflower Press, 2009.
  • Renders, Hans, de Haan, Binne. (eds) Theoretical Discussions of Biography: Approaches from History, Microhistory, and Life Writing. Brille, 2014.
  • Rifkind, Candida. ‘Graphic Narratives.’ a/b: Auto/Biography Studies. Volume 32, NO. 2. Routledge, 2017.
  • Rifkind, Candida. ‘Refugee Comics and Migrant Topographies.’ a/b: Auto/Biography Studies, 32:3, 648-654. Taylor & Francis, 2017.
  • Rings, Guido. The Other in Contemporary Migrant Cinema: Imagining a New Europe? Routledge, 2016.
  • Stanley, Liz.  ‘On Auto/biography in Sociology.’ Sociology, Vol. 27, No. 1 (February 1993) pp. 41-52.
  • Turim, Maureen. Flashbacks in Film: Memory and History. Routledge, 1989. 
  • Valck, Marijke de, Kredell, Brendan, and Loist, Skadi. (eds). Festivals: History, Theory, Method, Praxis. Routledge, 2016. 
  • Williams, James S. Queering the Migrant in Contemporary European Cinema. Routledge, 2020.